

Responding to the Independent Cinema Office's Report Findings
With big love and solidarity to all cinema workers, we were saddened (though sadly not surprised) to read the findings from the...
Oct 23, 2023


Filmonomics is back, and open for applications!
Running for an eighth edition and supported by the ScreenSkills Film Skills Fund with contributions from UK film productions, Filmonomics...
Oct 23, 2023


Reclaim The Frame For All
Happy International Day of the Girl! Today, we're launching Reclaim The Frame For All - an important campaign to enable our work (and the...
Oct 11, 2023


Announcing Three New Team Members and Trustee
Top L_R: Daljinder Johal, Oli Gots Bottom L_R: Sophie Doherty, Tresca Mallon Sophie Doherty (bottom left) was photographed by Mr Bertie...
Aug 11, 2023


"Badly Behaved" Women in Adele Lim's JOYRIDE
A written response by Xuanlin Tham The model minority myth paints a story in rather broad strokes. It’s a term of phrase used to summate...
Jul 27, 2023


KOKOMO CITY: Interview with director D Smith
Sundance Film Festival hit KOKOMO CITY gives us unfiltered access to the insights of four Black trans women sex workers in Atlanta and...
Jul 24, 2023


Medusa and neon-lit churches turned political headquarters
By Rafa Sales Ross When Anita Rocha da Silveira’s piercing suspense Medusa began its festival run at the prestigious Director’s Fortnight...
Jul 7, 2023










